Lesson 01 — Mixing Colors

Learners mix two colors to make a new one and use it in a picture. They discover that many of the world's colors come from mixing, and that mixing is a kind of making everyone can do.

D07 P3: Intellectual & Cognitive Awareness D07.S1 45 minutes Draft

How do I mix two colors to make a new one and use it in a picture?

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A color-mixing chart with three labeled starting colors (red, yellow, blue) at the top, arrows showing red plus yellow makes orange, yellow plus blue makes green, and blue plus red makes purple, and a small picture below using the new colors — an orange sun, green leaves, purple flower — so the mixes read in grayscale by their labels and position. Prints clearly in grayscale.
A color-mixing chart with three labeled starting colors (red, yellow, blue) at the top, arrows showing red plus yellow makes orange, yellow plus blue makes green, and blue plus red makes purple, and a small picture below using the new colors — an orange sun, green leaves, purple flower — so the mixes read in grayscale by their labels and position. Prints clearly in grayscale.

Lesson 1 — Mixing Colors

Summary

Learners mix two colors to make a new color and use it in a picture. They discover that colors all around them — orange fruit, green leaves, purple cloth — are often made by mixing two other colors, and that people everywhere have mixed colors to dye cloth, paint walls, and make pictures.

Objectives

  • Mix two colors to make a new one and use it in a picture. (D07.S1.02.01)

Connection

Look at the colors around you — a green leaf, an orange fruit, a purple cloth, a brown clay pot. Many of these colors are not found ready-made; they are mixed from two others. For a long time, people everywhere have mixed colors to dye cloth, paint homes, and make pictures — from indigo cloth dyed in one part of the world to ochre earth painted on walls in another. Today you will mix two colors and use your new color in a picture.

Materials

  • Paints in red, yellow, and blue (or food color)
  • A mixing surface (a plate, paper, or tile)
  • Paper and brushes or fingers

Preparation

  • Set out the three starting colors and a mixing surface for each learner or pair.
  • Have paper ready, and a way to wash hands after painting.

Facilitator note

This lesson is written to the learner (“you”) so it works in a classroom and for a self-directed learner. Mixing is a skill, so model it once — “watch: red and yellow make orange” — before learners try on their own (Kirschner, Sweller & Clark, 2006). There is no wrong new color; a muddy brown is a real discovery, not a mistake. Name the colors learners make without judging them (“you made a warm orange!”). A learner who is blind or has low vision mixes by feel and temperature and smell: they feel the two blobs merge, and a partner or grown-up names the new color; they can still choose the picture’s subject and feel the wet paint with a finger. A learner who does not speak names the new color by pointing to a color swatch or a matching object. A learner with limited fine motor mixes with a bigger brush, a sponge, or by directing a partner who does the brushwork — deciding the mix is mixing.

Procedure

  1. Gather (5 min). Look at the three colors in front of you: red, yellow, and blue. These are starting colors. Today you will mix two of them to make a brand-new color.
  2. Mix two colors (15 min). Put a little red and a little yellow on your mixing surface and stir. What color appears? Try another pair — yellow and blue, or blue and red. Watch a new color be born from two others. Say or point to the new color you made.
  3. Use your new color (15 min). Paint a picture that uses the new color you made. An orange sun, green leaves, a purple flower, a brown path — or an invented thing. Your new color is yours; no one has made exactly this mix before.
  4. Share (10 min). Show a friend or grown-up your picture. Tell (or point to) which two colors you mixed and what new color appeared.
  5. Close (5 min). Remember: many colors in the world are made by mixing. Every new color you mix belongs to you and to everyone who ever mixed color before you.

Differentiation

  • Support: Offer one clear mix (“red and yellow — stir them and watch”); let the learner name the one new color and paint with it.
  • Support (blind/low-vision): Mix by feel; a partner names the new color and the learner chooses the picture’s subject, feeling the paint with a finger.
  • Support (non-speaking): Name the new color by pointing to a swatch or a matching object.
  • Support (fine motor): Mix with a bigger brush or sponge, or direct a partner who stirs and paints.
  • Extension: Invite learners to mix a light and a dark version of one new color (more or less of one starting color) and name the difference.

Assessment

  • Formative (observation): Does the learner mix two colors to make a new one and use it in a picture?
  • Artifact (portfolio): The learner’s picture using the mixed color, kept in the portfolio (or a photo of it).

Home connection

At home, find two colors that could mix — two crayons, two drops of food color, two bits of clay — and mix them with a grown-up. What new color appears? Then use it in a small picture.