Lesson 06 — Skipping and Galloping

Learners learn two traveling movements — skipping and galloping — and practice them to a steady beat with balance and control, with seated and adapted versions for every body.

D03 P2: Physical & Somatic Awareness D03.S2 45 minutes Draft

How do I skip and gallop with balance and control?

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Two panels showing skip as step-hop and gallop as step-together, each drawn with a standing child and a seated or wheelchair child moving the same way, with the note that every body moves its own way
Two panels showing skip as step-hop and gallop as step-together, each drawn with a standing child and a seated or wheelchair child moving the same way, with the note that every body moves its own way

Lesson 6 — Skipping and Galloping

Summary

Learners learn two big traveling movements — skipping and galloping — and practice them to a steady beat, moving from one mark to the next with balance and control. Every body joins in its own way, with seated and adapted versions offered alongside.

Objectives

  • Perform skipping and galloping with balance and control. (D03.S2.01.01)

Connection

All over the world, people move to music — dancing, skipping, and stepping in time. Skipping and galloping are two ways your body can travel while keeping a beat. They grow your balance and control, and they feel joyful — like a song your whole body sings.

Materials

  • A beat source (clapping, drum, or song)
  • Cones, chalk, or rope to mark a path

Preparation

  • Mark a starting line and a clear path with cones, chalk, or rope.
  • Clear enough space for everyone to move without bumping.
  • Prepare a steady beat to clap, drum, or play.

Facilitator note

This lesson is written to the learner (“you”) so it works in a classroom and for a self-directed learner. Prepare the space and beat, then model each movement slowly before the learners try. This is movement, not a race — celebrate control, rhythm, and joy, never speed or distance. Honor every body: a learner who uses a wheelchair can skip and gallop with their arms and wheels; a learner who needs support can do a seated or step version. Model the adapted versions as real choices, not second choices, so no one is left watching. Keep a visual beat going too — a bouncing hand or a partner tapping — so learners who are deaf or hard of hearing can move in time. Invite everyone to rest and go at their own pace; breath and joy matter more than speed, especially for learners with breathing differences.

Procedure

  1. Warm up (5 min). March in place to the beat, lifting your knees. Shake out your arms and legs. Your body is awake and ready.
  2. Learn to skip (10 min). A skip is a step and a hop on the same foot, then step-hop on the other foot: step-hop, step-hop. Try it slowly at first, arms swinging to help you balance.
  3. Learn to gallop (10 min). A gallop is like a horse: one foot leads in front, and the back foot chases it — step-together, step-together. Try leading with one foot, then switch to lead with the other.
  4. Move to the beat (15 min). From the starting mark, skip to the other mark, then gallop back. Keep the beat with your feet. If you use wheels, push and glide in the same rhythm; if you are seated, do the skip and gallop with your arms swinging to the beat.
  5. Close (5 min). Slow your body down and catch your breath. You can skip and gallop now — two new ways to move with balance and control.

Differentiation

  • Support: Practice the gallop first (step-together is easier to keep) before moving to the skip; clap the beat slowly.
  • Extension: Ask learners to skip in a circle or gallop in a curving path, keeping the beat and control.

Assessment

  • Formative (observation): Can the learner skip and gallop with a steady rhythm and control, in their own body’s way?

Home connection

Teach someone at home to skip or gallop, and move to a beat together.