Lesson 05 — Moving to Show a Feeling

Learners move their bodies to show feelings — happy, angry, tired, and others — in response to music or a story. The body is a language for feelings, and there is no wrong way to move.

D07 P3: Intellectual & Cognitive Awareness D07.S3 45 minutes Draft

How do I move my body to show a feeling like happy, angry, or tired?

feelinghappyangrytiredmovebody
Three panels show a body showing a feeling without words: happy (arms raised, bouncy, one child wearing a hearing aid), angry (tight fists, furrowed brows), and tired (drooping and heavy), each labeled. Below, a child in a wheelchair with open arms is labeled seated is equal. Prints clearly in grayscale.
Three panels show a body showing a feeling without words: happy (arms raised, bouncy, one child wearing a hearing aid), angry (tight fists, furrowed brows), and tired (drooping and heavy), each labeled. Below, a child in a wheelchair with open arms is labeled seated is equal. Prints clearly in grayscale.

Lesson 5 — Moving to Show a Feeling

Summary

Learners discover that the body can speak feelings without words. To music or a story, they move to show happy, angry, tired, and feelings they choose. There is no wrong way to move — every body tells its own true story.

Objectives

  • Move their body to show a feeling such as happy, angry, or tired in response to music or a story. (D07.S3.01.01)

Connection

Think how your body already tells your feelings. When you are happy, you might bounce or spin; when you are tired, your arms and head grow heavy and slow; when you are angry, your body gets tight and small and fast. Everywhere in the world, people turn feelings into movement — in dance, in play, in greeting. Today you will let your body show a feeling on purpose, to music or a story.

Materials

  • Music or a short story to move to
  • Open floor space

Preparation

  • Choose a short piece of music (or a told story) that suggests different moods.
  • Clear a space big enough to move freely, and have a seated option for everyone.

Facilitator note

This lesson is written to the learner (“you”) so it works in a classroom and for a self-directed learner. Name the feelings clearly and move along with the learners — your body is a model, not a rule. There is no correct way to show a feeling; each learner’s movement is their own and every movement belongs. Never single out a learner to perform alone. A learner who uses a wheelchair or moves with support shows the feeling from where they are — a “tired” body can be a heavy head and slow hands; a “happy” body can be a bright face and open arms. A learner who is blind or has low vision follows a spoken prompt (“let your arms get heavy and slow”) or holds a partner’s elbow to feel the movement. A learner who is Deaf or hard of hearing follows your modeled movement and a visible beat — tap a drum or the floor so the feeling’s rhythm can be felt, and name feelings with sign or a gesture. A learner who does not speak shows the feeling with the body itself and “tells” how it felt by pointing or gesturing. Watching and copying is full participation.

Procedure

  1. Gather (5 min). Think of a feeling — happy, angry, tired. How does your body feel inside when you have that feeling? Feelings live in the body, not only the head.
  2. Warm up your body (5 min). Shake your hands, roll your shoulders, stretch tall. Your body is about to become a language.
  3. Move one feeling (10 min). Hear the music (or the story). What feeling does it suggest? Move your whole body to show it — happy might be bouncy and open; angry tight and fast; tired slow and heavy. There is no wrong way.
  4. Move more feelings (15 min). Change the music or the story, and move a new feeling. Try happy, angry, tired, and one more you choose — calm, excited, sad, brave. You can stay in one spot or travel through the space.
  5. Show and guess (10 min). Move a feeling while a friend watches. Can they guess which one? Then tell them how it felt in your body.
  6. Close (5 min). Remember: your body can say what words cannot. Every feeling is welcome, and every movement you make belongs.

Differentiation

  • Support: Give one feeling and one clear prompt (“let your arms get slow and heavy like you are tired”); let the learner copy.
  • Support (seated/adapted): Show the whole feeling from a chair — a happy face and open arms, tired shoulders, tight fists; moving just the face, hands, and shoulders is full participation.
  • Support (blind/low-vision): Follow spoken movement prompts or hold a partner’s elbow to feel the movement.
  • Support (Deaf/HH): Follow the modeled movement and a felt beat on a drum or the floor; name feelings with sign or gesture.
  • Support (non-speaking): Show the feeling with the body; “tell” how it felt by pointing or gesturing.
  • Extension: Invite learners to move a feeling that changes — start happy and slowly become tired — and name the change.

Assessment

  • Formative (observation): Does the learner move their body to show a feeling in response to music or a story?
  • Performance: The learner’s movement, observed live (or in a seated/adapted form).

Home connection

At home, pick a feeling and show it with your body while a grown-up guesses. Then ask them to show a feeling for you to guess.